© 2008–2016

Blockings, 2014.
Installation for "Invisible Hand", CAFAM, Beijing: twenty-three exhibition labels.
Dimensions variable.

Collaboration with Joseph Rosenzweig

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Pause and rue the absence of more telling prohibitions. 2014.

Vinyl decal and tempered glass.
Dimensions determined by site.

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Until sullied by obligation, until the age old dialectic is engaged—that is, until the fourth wall suddenly shatters. 2014.

Workers, desks, and monitors.
Dimensions determined by site.

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As if to advance a foregone conclusion: an impassable thicket of authorizing lines. 2014.

Stanchions and nylon.
Dimensions determined by site.

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As if urged to move, advance, or retreat, or as a hasty appraisal of a print by El Lissitzky. 2014.

Frame and inkjet print.
Dimensions determined by site.

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Regard as incomplete, the final artwork specified as a monitor flickering in a derelict control room. 2014.
CCTV (closed circuit television) camera. Dimensions determined...
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With purpose, though adulterated by form. 2014.

Stainless steel.
Dimensions determined by site.

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Interact. 2014.
Motion detector and indicator light. Dimensions determined by...
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Repeat stopgap upon stopgap until becoming structure. 2014.

Wood shims.
Dimensions determined by site.

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Withdraw until illegible, until the text is no more than a blemish on the deliberate surface of the architecture. 2014.

Wall label.
Dimensions determined by site.

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As under the shade of an aegis. 2014.

Wall and paint.
Dimensions determined by site.

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Taken aback. As an apostle on whom it dawns: “My church—the very cathedral wherein I now genuflect—is rife with corruption.” 2014.

Growth, light, and frosted glass.
Dimensions determined by site.

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Such that the surface renders flatness the first rule of a face. 2014.

Glazing.
Dimensions determined by site.

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It might be that a mass appears formless (its marks name not one author among its makers) but no matter: it is the sheer evidence of its spread that founds its selfsame purpose. 2014.

Fingerprints.
Dimensions determined by site.

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Enter—which is to say, be enveloped. In other words, give up what you’ve brought until it’s asked for. 2014.

Blackout curtain.
Dimensions determined by site.

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Free it of its use, of course. (A regimen of care will follow as an answer to its silent cries of need.) 2014.

Wall with craquelure.
Dimensions determined by site.

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Dead set on autonomy. Frozen. A howl indistinguishable from a yawn. 2014.

Inkjet print mounted on foamcore.
Dimensions determined by site.

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Begrudgingly, as a weary participant. 2014.

Mirrored acrylic sheet.
Dimensions determined by site.

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As if to achieve some closure, take the given yet again as an impenetrable passage, the barring door that delimits the pane. 2014.

Glass and door.
Dimensions determined by site.

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Luridly—that is, indelicately put. 2014.
Pedestal, glass, lamps, and products. Dimensions determined by...
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Use it as if fulfilling a prophecy, murmuring all the while “sublation.” 2014.

Urinal.
Dimensions determined by site.

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In the form of a choice (so long as the circuit feeds from its obfuscated source). 2014.

Power outlet.
Dimensions determined by site.

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As though taking one's bearings by a constellation, as though spotting distant suns propped up by the luminous aether. 2014.

Vinyl text and wall.
Dimensions determined by site.

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Adopt this stance: under your omniscient gaze, every object becomes an artifact, even the ground on which you stand. 2014.

Photographs.
Dimensions determined by site.

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At a level sufficient to register as difference and precisely as waste. 2014.

Air vent.
Dimensions determined by site.